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Sarah Moroz

Sarah Moroz is a freelance writer.

  • @SarahMoroz
  • Sarah Moroz
  • @sarahmsnapshot
A person rides a light-colored horse past a small, weathered wooden church with a sign reading “Faith Temple Church of God in Christ,” framed by overhanging tree branches.

Legacy and Loss in the South and Self: An Interview with Rahim Fortune

By Sarah Moroz
An impressionist oil painting of a woman in a blue shawl reading a newspaper by a sunlit window framed by leafy green vines.

Curator and Art Historian Camille Morineau On Finding the Women Artists of the American West

By Sarah Moroz
A person dressed as Shirley Smith, Grayson Perry’s alter ego, stands confidently in a lavishly decorated gallery room with purple damask wallpaper, gilded paintings, ornate furniture and porcelain vases, exemplifying the contrast between Perry’s colorful outfit and the opulent historic interior.

At the Wallace Collection, Grayson Perry Topples the Affluent Class from Within

By Sarah Moroz
An image of a photographic print by Magda Stawarska titled Tensio, showing crumpled fishing nets strewn across the deck of a wooden boat, with a horizontal strip of vibrant purple and blue patterned material collaged across the center.

Dual Identity Becomes a Powerful Creative Engine at Mudam Luxembourg

By Sarah Moroz
A grid of six framed portraits by Hassan Hajjaj features vibrantly dressed subjects set against colorful, patterned backgrounds, each enclosed in a bold, patterned frame.

Hassan Hajjaj Brings His Signature Vivacity to Hannah Traore Gallery

By Sarah Moroz
An indoor installation featuring several colorful, totem-like sculptures assembled from industrial pipes, spouts, and containers, placed on low wooden platforms, with two large fabric banners depicting abstract, patterned landscapes hanging behind them, while visitors, including a woman taking a photo with her phone, walk around and observe the display.

In Sharjah, Five Curators and Two-Hundred Artists Confront Global Issues Through a Regional Lens

By Sarah Moroz
A black-and-white photograph of a man in a dark jacket and hat drinking from a cup in front of a liquor store, with groups of people standing nearby and scattered empty cartons littering the ground.

Rare Vintage Ernest Cole Prints at Magnum Gallery Bring the Artist’s Archive to Life

By Sarah Moroz
An exhibition view in a gallery space features three framed paintings by Francis Picabia on a white wall, all incorporating shades of blue, black, and white, with the central piece titled Villejuif (1951) portraying a figure in a blue outfit with a white head covering and wing-like shapes.

Hauser & Wirth in Paris Examines Francis Picabia’s Late Period

By Sarah Moroz
A portrait photograph of Sitor Senghor shows him wearing a white button-down shirt and round glasses, standing against a textured grayish wall, looking directly at the camera with a calm and confident expression; the image is credited to photographer Antoine Tempé.

Building the Market for African Art in France: An Interview With Sitor Senghor, Artistic Director of AKAA

By Sarah Moroz
A woman in a black dress standing in front of a geometric-patterned artwork with black, white, green, and pink elements, smiling subtly at the camera with her hands clasped in front of her, wearing a delicate gold necklace and earrings.

Pride of Place for Pan-African Art: An Interview with 1-54 Founding Director Touria El Glaoui

By Sarah Moroz
A sandy beach under a bright blue sky displays a series of small sand mounds with the word "VOIR" spelled out in large black letters and a yellow flag planted in one of the mounds.

At the Louvre Lens, Imparting the Albatross of Displacement Through Art

By Sarah Moroz
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