The Threepenny Opera: Extremely Wicked, Shockingly Evil and Weill Barrie Kosky brings his sleazy, sparkling production to BAM to sharp effect. By Gabrielle Ferrari
Barrie Kosky On Why ‘The Threepenny Opera’ Still Cuts Deep Nearly a century after its chaotic premiere, 'The Threepenny Opera' still exposes the machinery of power, performance and moral collapse. By Jordan Riefe
Spring Preview: Fight Doom and Gloom as Dance and Opera Speak Truth to Power The coming season promises opera that draws on everything from Herman Melville to jazz and blues, and dance that flows from breaking to ballet. By David Cote
Saimir Pirgu on Learning From Pavarotti and What We Can Still Discover in ‘La Bohéme’ By Jordan Riefe
The Dramaturge of a Bold New 1920s-Set ‘Magic Flute’ Explains the Enduring Modernity of Mozart By Helen Holmes